Iconography

The study of identifying, describing, and interpreting the content and meaning within images.

Quick Facts: Who was Iconography?

Subject:
Iconography
Known for:
The study of identifying, describing, and interpreting the content and meaning within images.
Verified Source:
2Day Chrono-Wiki & Primary Historical Archives

Origins & Early Life

Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word iconography comes from the Greek εἰκών ("image") and γράφειν ("to write" or to draw). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures.

Pivotal Works & Achievements

The term is also used in many academic fields other than art history, for example semiotics, media studies, and archaeology, and in general usage, for the content of images, the typical depiction in images of a subject, and related senses. Sometimes distinctions have been made between iconology and iconography, although the definitions, and so the distinction made, varies. When referring to movies, genres are immediately recognizable through their iconography, motifs that become associated with a specific genre through repetition. Early Western writers who took special note of the content of images include Giorgio Vasari, whose Ragionamenti interpreted the paintings in the Palazzo Vecchio in Florence. Ragionamenti reassuringly demonstrates that such works were difficult to understand even for well-informed contemporaries.

Enduring Legacy & Impact

Lesser known, though it had informed poets, painters and sculptors for over two centuries after its 1593 publication, was Cesare Ripa's emblem book Iconologia. Gian Pietro Bellori, a 17th-century biographer of artists of his own time, describes and analyses, not always correctly, many works. Lessing's study (1796) of the classical figure Amor with an inverted torch was an early attempt to use a study of a type of image to explain the culture it originated in, rather than the other way round. Iconography as an academic art historical discipline developed in the nineteenth century in the works of scholars such as Adolphe Napoleon Didron (1806–1867), Anton Heinrich Springer (1825–1891), and Émile Mâle (1862–1954) all specialists in Christian religious art, which was the main focus of study in this period, in which French scholars were especially prominent. They looked back to earlier attempts to classify and organise subjects encyclopedically like Cesare Ripa and Anne Claude Philippe de Caylus's Recueil d'antiquités égyptiennes, étrusques, grècques, romaines et gauloises as guides to understanding works of art, both religious and profane, in a more scientific manner than the popular aesthetic approach of the time.

Chronological Milestones & Life Events

  1. 1593: 1593 Milestone — Lesser known, though it had informed poets, painters and sculptors for over two centuries after its 1593 publication, was Cesare Ripa's emblem book Iconologia.
  2. 1796: 1796 Milestone — Lessing's study (1796) of the classical figure Amor with an inverted torch was an early attempt to use a study of a type of image to explain the culture it originated in, rather than the other way round.
  3. 1806: 1806 Milestone — Iconography as an academic art historical discipline developed in the nineteenth century in the works of scholars such as Adolphe Napoleon Didron (1806–1867), Anton Heinrich Springer (1825–1891), and Émile Mâle (1862–1954) all specialists in Christian religious art, which was the main focus of study in this period, in which French scholars were especially prominent.

Historical Fact-Check Quiz: Iconography

True or False: “Iconography is exclusively concerned with analyzing the formal elements, such as brushwork and composition, of a piece of art.”

Answer (FALSE ❌): Iconography focuses on the subject matter or meaning (the 'what'), distinguishing it from stylistic analysis which concerns form.

Contemporary Figures & Related Historical Timelines

  • Abd al-Samad — Historical peer (Died in 1593) (1593): Founding master of Mughal miniature painting, active in the 16th century.
  • Anthony van Diemen — Historical peer (Born in 1593) (1593): Dutch colonial governor whose career spanned the East Indies and marked early Australian encounters.
  • Adolphe Quetelet — Historical peer (Born in 1796) (1796): Pioneering Belgian statistician, founder of anthropometry, and social scientist.
  • Ferdinand von Wrangel — Historical peer (Born in 1796) (1796): Baltic German explorer and Russian admiral, famed for managing Russian-American Company and Alaska.
  • Augustus De Morgan — Historical peer (Born in 1806) (1806): Pioneering logician known for De Morgan's laws and mathematical induction.
  • Benito Juárez — Historical peer (Born in 1806) (1806): Pioneering Indigenous President of Mexico, champion of Liberal reforms and the Republic.
  • Albert Bassermann — Historical peer (Born in 1867) (1867): Esteemed German stage and screen actor, celebrated for his dramatic versatility.
  • Amy Beach — Historical peer (Born in 1867) (1867): Pioneering American composer and pianist, celebrated for her large-scale art music.
  • A. P. Hill — Historical peer (Born in 1825) (1825): Confederate general who distinguished himself in the American Civil War.
  • Adelaide Anne Procter — Historical peer (Born in 1825) (1825): English poet and philanthropist known for her work on poverty and faith.

Frequently Asked Questions about Iconography

Who was Iconography and what are their primary contributions?

The study of identifying, describing, and interpreting the content and meaning within images. Origins & Early Life: Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word iconography comes from the Greek εἰκών ("image") and γράφειν ("to write" or to draw). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures.

Where can I read more verified chronological archives on Iconography?

Explore verified primary sources, interactive timelines, and contemporary figures in the 2Day Chrono-Wiki encyclopedia or review the original entry on Wikipedia.

Source: Wikipedia