Origins & Early Life

Frederic George Stephens (10 October 1827 – 9 March 1907) was a British art critic, and one of the two 'non-artistic' members of the Pre-Raphaelite Brotherhood. Stephens was born to Septimus Stephens of Aberdeen and Ann (née Cook) in Walworth, London and grew up in nearby Lambeth. Because of an accident in 1837, he was physically disabled and was educated privately. He later attended University College School, London.

Pivotal Works & Achievements

In 1844 he entered the Royal Academy Schools where he first met John Everett Millais and William Holman Hunt. He joined their Pre-Raphaelite Brotherhood in 1848, often modelling for them in pictures including Millais's Ferdinand Lured by Ariel (1849) and Ford Madox Brown's Jesus Washing Peter's Feet (1852–1856; Tate, London). There is a pencil portrait of Stephens by Millais dated 1853 in the collection of the National Portrait Gallery. Stephens was so disappointed by his own artistic talent that he took up art criticism and stopped painting. In later life he claimed to have destroyed all his paintings, but three of them are now in the Tate Gallery, London: The Proposal (The Marquis and Griselda) (1850–51), Morte d'Arthur (1849), and Mother and Child (circa...

Enduring Legacy & Impact

The historical impact and works continue to influence the modern world.

Contemporary Figures & Related Historical Timelines

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